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Showing posts with label journalism. Show all posts
Showing posts with label journalism. Show all posts

Wednesday, June 12, 2013

Journalism and Democracy and Getting Information that Matters


Tedx Poynter: The Future of Journalism


(story originally ran in Creative Loafing Tampa)

The future of journalism was the connecting theme of a version of the popular online Ted Talks series last Friday at the Poynter Institute in downtown Saint Petersburg. A crowd of mostly media insiders listened to topics ranging from copyright issues and viral media to fact checking and the role of new media.

The Poynter Institute is borrowing a style of discourse from the successful Ted Talks which focus on disseminating new ideas on three varied subject matters; Technology, Entertainment Design. The TedX formats are independently organized but are conducting within the Ted Talks structure. The Poynter Institute is a non-profit school of journalism, which teaches through traditional class room settings as well as online webinars. Elynn Angelotti is a social media faculty member at the Poynter Institute. She said the blueprint used by Ted Talks is a good fit for Poynter’s third Ted X event.

“What they’ve done is provide us with a framework to create powerful engaging; much briefer talks than we typically do here at Poynter. So, it’s a deferent tempo. It’s a different style. But it’s an engaging platform that helps us invite the Tampa Bay community and the larger journalism community into an event where we can realty learn from innovative thinkers.”

One of the overarching topics discussed during the event by several of the speakers was the role of professional journalism. Since the second dot com boom which was fueled by the near hegemonic emergence of social media, news and scholarly media have experienced a decline in hardcopy circulation. This decline brought with it a steady decline in revenue from advertising. In order to compensate some traditional media outlets have adopted a new business model called “paywall”. A “paywall” is an online business model which restricts access to webpage content without a paid subscription to news or academic publications. Paywalls come in two varieties either “hard” where no or limited viewing is permitted or “soft” where the content is less rigidly controlled.

One staff member who focuses on ethics in the media, Kelly McBride said in an interview after the talk, a well informed citizenry is a cornerstone to democracy. The direction of journalism McBride sees, however, is a move towards unprofessionalism: citizens with a passion, spokes people; marketeers. She says we are still tumbling down the rabbit hole with no clear indication where will it end. According to McBride democracy needs at least a small cadre of journalist in order to function. A la carte journalism works for some models, like Side Boob Reports, but doesn't work for investigative journalism. She said that not many people are willing to pay for investigative stories.

That would seem to be the case with stories like the International Consortium of Investigative Journalists who divulged the path to the center of the money maze that stems from lucrative offshore banking. However, paywalls are beginning to work for the New York Times and other major newspapers, like Gannett Publishing but the future is murky for small town newspapers where it's largely untested whether people will pay at all.

Transmitting and receiving news and information outside the conventional written word is a viable means of ensuring professionalism and reliability. Pat Aufderheide is a professor and director of the Center for Social Media at American University and also a film critic. Aufderheide said documentaries are an important and significant medium for reporting on culture.

”Homes across America through public broadcasting these films are being seen by millions and millions of people; which is at least two or three orders of magnitude larger than anything that will happen to a documentary on theatrical screens. So although they are not necessarily sexy in movie media they are terrifically important in being part of our media mix for a democracy.”

A Ted Talks veteran, Eli Pariser, spoke about the misconceptions of viral media. Pariser’s most recent project is upworthy.com but he cut his internet teeth with the moveon.org website. Pariser said the way information is filtered today is a challenge because we have little control over how it is filtered, what is filtered or the methodology behind the filtering. I order to achieve what he calls a “nourishing diet of information” filters need to be smarter.

“FaceBook for example, could have an important button to go along with the like button and that would actually have a significant effect. Right? Because it’s hard to click like on war in Afghanistan continues for twelfth year. But you would say that’ important; I want people to pay attention to that. So there are ways without being prescriptive about what’s important and what’s not that you could allow people to elevate that kind of content.”

When asked about the emerging trends in social media as it pertains to news and information gathering, Pariser sees an increased fragmentation as the overall trend over the next five years. He said we “...are all increasingly speaking these different informational languages.” Will these internet fragments eventually be integrated? Maybe not Pariser thinks. He doesn't foresee these information Goliaths being slain by any upstart dot com Davids.

Facebook, Twitter and Google as well as Instagram and Tumblr are not only veritable blue chip companies but they are the forums and platforms on which disparate niches of society have come to rely as a primary mode of communication. It's been said that President Obama's social media “gladhanding” was in large part the element which tipped the scales in his favor during the 2012 presidential election much like the role social media played as an instrument in nurturing the Arab Spring into a regional phenomenon.

Other media experts at the Ted X Poynter event also talked about the changing tides of journalism as a result of expanding technology. There aren't any mystic Oracles to consult on the future of journalism but one thing is certain, the medium is becoming the message. It's the duel responsibility of the consumer and the producer to make sure the message remains meaningful despite the medium.

Wednesday, May 2, 2012

Gonzo Radio Journalism

 

"I Could Have Danced All Night"


Radio journalistic reporting is the Cinderella of the news mediums. The difference being is that radio journalism never receives an invitation to the ball. She stays at home doing and redoing her mundane chores which her news media sisters Drizella (print) and Anastasia (video) have pawned off on her. Eventually she sneaks away, crashed the ball and goes about forming a mosh pit during a dreary Vienna Waltz.

The experiences at the ball couldn't be more varied. Drizella doesn't need sound bites or video snippets to flesh out a piece. She paraphrases the main thrusts of the discourse or jots down a catchy quote or two then her work is done as far as reporting the basic tenor of what has just transpired. Of course, writing generalizations about an event is only the canvas on which the paint is applied. Drizella can roam around the ball room; dance and sway and dart in and out conducting interviews and collecting some subjective flavor from the guests. She doesn't schlep any bulky and cumbersome equipment to and fro. Pen/pencil and a notepad and Drizella is on the move. Incidentally, the cliché notepad as depicted in the hard boiled film noir flicks of the 1940's is still standard issue. There must be more than a sentimental or psychological fear of abandonment which keeps the reporters using the antiquated notepad. Come to think of it the legal pad is another relic of tradition. The history of the legal pad reads like a Horatio Alger faerie tale. The hazy legend holds that in the late 1800's a young entrepreneur from Massachusetts came up with the brilliant idea of repackaging junk that was going to be chucked out anyway. The lineage of repackaging garbage and selling it for profit is long. It's as American as cutting up subprime mortgage then reselling them or the grande dame of mystery meat Pink Slime. The modern faerie tale has it that Thomas Holley gathered up subpar scraps and reject pieces of paper from various factories and after stitching them together sold them at ridiculously low prices. As the story goes, around 1900 a judge, whose name has vanished from history, wanted a margin drawn on the lefthand side of the pad. This is the supposed glorious birth of the legal pad. Two things strike me as curious to this portion of the legend. My grasp on Greek mythology is iffy at best. However, the severed and discarded scraps of paper then reemerging as legal pad sounds like a reworking of the fabled birth of Aphrodite. The peculiar details of Aphrodite's birth were that she arose out of the foam after Uranus' wedding tackle had been lopped off and tossed into the sea. One man's junk is another man's treasure; I guess. Interesting that attorneys would adopt the legal pad: an inferior treasure of no obvious allure. Beyond that, the legal pad is odd sized and unmanageable. The legal philosophy, as I see it, is built upon logical and methodical tenets. Why would they grandfather this stillborn notepad into it's arsenal of tools? The mystery cult better know as the ABA.

After harvesting the interviews and double checking the summations of the look and feel of the event Drizella is finished and ready to head back to the castle with her princely one night stand: the scoop.

Anastasia has made sure her entrance to the ball is replete with more splendor and regalia than her sister Drizella. Tripod and camera with boom mic in hand Anastasia takes up a place in a corner of the room with all her jewels and glitter. She starts the camera and like an early 20th century cinematographer and steps back and let's the event unfold. Once she's finished recording and prancing around reaping video quotes and incidental shots of the surroundings she's then poised to step outside. She'll be whisked away by her prince charming astride a 2 tonne moving van with a roof antenna and broadcast dish. The after party begins in the editing room for Drizella. Write a lede in; choose some minute or two video snippet then write a lede out. Anastasia is now so ready for some more action. Maybe she'll be a bit saucy and write a 30 second titillating teaser just because she is that vain.

Ah the life of the party has fooled the doorbitch and skulks her way to the ball room. Cinderella arrives with a journalists survival kit wearing not glass slippers but hand me down Teva's. Her make up is a triumphant mess; from the wrong shade of lipstick with black lip liner to oversized tarantula paste on eyelashes. If she didn't have her mic flag on you'd swear she was an extra stepping off the set of movie “Showgirls”. Drizella and Anastasia dumped on Cinderella the task of amassing usable sound bites even when then the ball has no direct plug in jacks. She can't dart here and there covering the event sliding the mic under each and every person who opens his pie-hole. The logistics of recording good audio in these conditions are like getting the shaving scum out of your fur lined sink (thank you Dali). Cinderella being the clever and resourceful and Gonzo sister relies on ingenuity to get her scoop. Hanging the mic from the rafters. Hanging the mic over a speaker and rejoicing that she was at least able to record in beautiful luxurious mono. Whatever it takes, she is the journalistic floozy at the ball. When the ball has ended and before she scampers off she slithers around the room approaching the guests for a follow up sound bite.

When all is said and done Cinderella is the sister you would most like to take out again for pizza and champagne.